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This volume of sonatas from Opus I contains five sonatas for solo violoncello and basso continuo and seven sonatas for two violoncelli or two bass viols
They produce a sound that is full and powerful like the renaissance originals but with an easy response over two octaves
together with the understanding of the musical symbols
reliable and used by all levels of players
all other fantasias are transposed up a third following a technique often used in the 18th Century
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